23,915 Royalty-Free Audio Tracks for "Midi Files Of Music By Alexander Scriabin"

Johann Sebastian Bach. BWV 269. Aus meines Herzens Grunde (Chorale 1)

Chorale prelude BWV 686 Auf tiefer Noth schrei' ich zu dir from Clavier-Übung III, encoded in lilypond and converted into a midi file

Midi file of Chorale Prelude Jesus Christus unser Heiland, der von uns den Zorn Gottes wand BWV 688 from Clavier-Übung III created using lilypond

An arpeggio passage from Bach's Jesu, Joy of Man's Desiring.

Midi file of Chorale Prelude Christ unser Herr zum Jordan kam BWV 684 from Clavier-Übung III created using lilypond

Chorale prelude BWV 689 Jesus Christus, unser Heiland from Clavier-Übung III, encoded in lilypond and converted into a midi file

Score of Haydn (1732–1809) quartet Opus 20, No 4, movement ???. Tempo, quarter=120.

Beethoven: Piano Concerto No. 4, slow movement

Chorale prelude BWV 685 Christ, unser Herr, zum Jordan kam from Clavier-Übung III, encoded in lilypond and converted into a midi file

Schubert, String Quintet in C, final bars.

Freut euch des Lebens

Opening of Mozart's piano sonata K545. Created by Hyacinth (talk) 01:48, 31 October 2011 (UTC) using Sibelius.

Prime form of five note tone row from Igor Stravinsky's In memoriam Dylan Thomas.

John Jacob Jingleheimer Schmidt

Prime row form from Stravinsky's Requiem Canticles.

Tone row with Schoenberg's initials preceded by remaining four notes.

Tone row from Stockhausen's Klavierstück IX.

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

Tone proportions of Studie I. I took F♮ as the starting point.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

Giulio Caccini: Amor che attendi.

Klangbeispiel eines Mordents (musikalische Verzierung); Instument: Piano

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

Klangbeispiel eines Pralltrillers (musikalische Verzierung), Beginn mit oberer Nebennote; Instument: Piano

Utwór "ARFA ZE SZCZYTU CHORU" z "Dramatu Akropolis część muzyczna", autor partytury: Bolesław Raczyński.

Purdie shuffle variant. Created by Hyacinth (talk) 01:56, 30 October 2010 using Sibelius 5.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quadruple whole notes. =60.

Italiano: Scala di do ionio. Vedi anche: :Immagine:C_Ionian.ogg

Rosanna shuffle.

Klangbeispiel eines Pralltrillers (musikalische Verzierung); Instument: Piano

This is my sequencing of the public domain piece Impromptu in C# minor, Opus 28 no. 3, by Hugo Reinhold, composed in the nineteenth century. It is identical to the version on Classical Music Archives, which means they determined there was no copyright problem.

Purdie shuffle variant. Created by Hyacinth (talk) 16:33, 1 November 2010 using Sibelius 5.

Klangbeispiel eines langen Vorschlags (musikalische Verzierung); Instument: Piano

Synthesized MIDI rendering of chanson "Belle bonne sage" by Baude Cordier, early 15th century, after manuscript File:CordierColor.jpg

Wagner - Tannhauser, Zu dir wall'ich.

Aus meines Herzens Grunde, Chorale 1 (BWV 269), for harpsichord and piano by J. S. Bach (1685–1750) from Editions de J.P Kimberger - C.P.E Bach.

Ich dank dir, lieber Herre (BWV 347) for harpsichord and piano by J. S. Bach (1685–1750) from Editions de J.P Kimberger - C.P.E Bach

Song: "El carretero".- Author: Arturo de Nava (1876-1932).- Interpreter: Singers: Carlos Gardel & José Razzano; Guitars: José Ricardo y Guillermo Barbieri.- Record: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922. Tema: "El carretero".- Autor: Arturo de Nava (1876-1932).- Interprete: Cantantes: Carlos Gardel & José Razzano; Guitarras: José Ricardo y Guillermo Barbieri.- Grab.: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922.

MIDI file extract from 'Twofold Bay Waltzes' by Georgina Isabella O'Sullivan nee Keon (1842-1927) niece of John Hubert Plunket QC

MIDI file of 'Valse Lente' 1930 by Luois Lavater 1867-1953

1908 recording of Aleksander Läte's Kuldrannake. Tartu Üliõpilaste meeskvartett.

1939 recording of Aleksander Läte's Kiigelaul. Elsa Maasik (voice) and Olav Roots (piano).

1937 recording of Aleksander Läte's Tütre tänu. Jenny Siimon (voice) and Elsa Avesson (piano).

1928 recording of Aleksander Läte's Kuldrannake. Tallinna Meestelaulu Selts.

1939 recording of Aleksander Läte's Ärka üles, isamaa. Estonia muusikaosakonna segakoor.

A Bull of Heaven musical piece.

In the Walls of Eryx, H.P. Lovecraft and Kenneth Sterling "Prehistoric human invasions of Venus can be pretty well ruled out, so that one must turn to the idea of native construction. Did a forgotten race of highly evolved beings precede the man-lizards as masters of Venus?"

Household Gods, Aleister Crowley "ALICIA: Yes! in that shadow lurks a smile. See; from that jagged cloud Diana starts Like a deer from the brake; her silver splendour darts Through the crisp air to the grove upon the isle... Do you see her? Do you see her?"